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There were a total of 48 GLP Impressions dotted all over the trusses and on the floor, along with the Color Force 12s and the Sharpies. On the front truss were eight Martin Professional MAC 700 Washes for covering the orchestra and the stage, which were also picked for their relatively small size. HSL also supplied two Robert Juliat 2.5K follow spots. Apart from the careful application of a ?less is more? philosophy to get the desired effect, the rig was designed to be able to shrink sensibly and fit into some of the smaller spaces. Routledge operated the show using a grandMA2 light console with another running in full tracking backup. He concludes, ?HSL were fantastic ? as always! The rig was thoroughly and diligently prepped, and supplied complete with a comprehensive ?LD package? containing every piece of data and documentation that you might possibly require throughout the course of a tour - which was a fabulous finishing touch?. His lighting crew were Ben Holdsworth and Mark Mitchell, and sound for the six week tour was provided by RG Jones. 
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