The technology has been trialled in both the US and the UK and the Society of Motion Picture and Television Engineers (SMPTE) has started the process of standardisation. Despite this progress Lakdawala foresees several challenges globally and locally.
“The problem the Middle East will face is the same problem that will be experienced everywhere, content acquisition,” said Lakdawala.
“Creating 3D content involves higher production costs in particular and even once you have some programming in place, making it available to consumers is a difficult task,” he added.
“Not many teleports are capable of handling 3D – it requires a lot of bandwidth. You then need the consumer to have a 3D TV compliant display as well. None of these things are in place in the Middle East at present.”
A succession of movies have performed well as 3D cinema releases with the format boosting proving a reliable way to boost a films financial performance. However, this trend will not automatically translate to the small screen, said Lakdawala.
“The cinema is a one-off experience and I don’t know whether viewers would want to watch their normal TV programmes in 3D, I am not sure that it would be comfortable to watch 3D TV all day,” he suggested.
The SMPTE announced at this year’s NAB that it had finalised the first stage of the standardisation process that will unify the efforts of content producers, broadcasters and consumer electronics manufacturers.




FEATURED COMMENT
This is a good article, and should no doubt be an eye-opener to the heads that drive and steer these initiatives. The l